![]() This is unlike any other option Fujifilm has given us, so you can imagine creating a film simulation recipe that mimics this is very difficult.Īccording to Fujifilm, this new film simulation has the second-most contrast out of all of them, only behind Velvia, while the saturation is in the range of PRO Neg. Highlights seem to have a creamy quality to them, while blacks look a tad faded. In addition, warm colors seem to be a little more vibrant, and cool colors appear a little less so. The darker the light, the lower the saturation, while the brighter the light, the stronger the saturation. How it renders the picture depends on the lighting and exposure. Fujifilm has increased the color contrast in it compared to other film simulations. From what I can tell, in this case Fujifilm did a decent job of creating a film simulation that resembles the film.Ĭlassic Negative is actually a little different than other film simulations. I have used Superia film before, but sometimes the film simulations aren’t exact matches to the film they’re supposed to look like. There’s only a small sampling of examples that I could find online. To be clear, I have absolutely zero experience with the Classic Negative film simulation. I’ve already had a number of requests for a film simulation recipe that resembles Classic Negative, despite it being so new. The Classic Negative film simulation is expected to make its way to the X-T3 and X-T30 via a firmware update at some point in the near future, but for now the X-Pro3, which is still a couple weeks out from shipping, is the only camera with it. This film simulation is supposed to mimic the look of Superia film. The Fujifilm X-Pro3 has a new film simulation: Classic Negative. November Morning – South Weber, UT – Fujifilm X-T20 – “Classic Negative”
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